Sunday, February 24, 2008

Wildstyle Delinquent


Once again I find myself beginning an entry by apologizing for its deliquence. The posts, which should be accumulating with escalating rapidity are instead issuing slower and slower. What can I say? Just one of the unfortunate effects of exorcising the demon that is Gertrude Stein—that is to say, writing the latest chapter of my dissertation.






I have, however, managed to engage in a bit of extracurricular activity even though I’ve been a bit amiss about writing about it. Things kicked off with the opening of the Barkley Hendricks exhibition, Birth of the Cool (a nod to Miles Davis’s influence on Hendricks) at the Nasher.



The night began with a long discussion between the artist and Duke art historian Richard Powell. Afterwards Durham legend 9th Wonder spun a set while we soaked in as much of Hendrick’s work as possible. Definitely warrants repeat visits. The exhibition runs through July 13th and I strongly encourage all of you to check it out.







A few days later found us back in the Reynolds Theater to check out the premier of DJ Spooky’s multimedia extravaganza Video Soul: Wattstax to the Avant Garde (yet another event in Duke Performance’s Soul Power series). Spooky had both the typical DJ setup and a miniature video editing system on stage. While he spun the tunes he also played and manipulated an assemblage of material from the Stax and Motown vaults. Worth the price of admission just to see the awesome footage.



Finally, this Wednesday, again at the Nasher, I enjoyed listening to a conversations between ?uestlove and 9th Wonder on two of my favorite subjects: sampling and record collecting. Almost as much fun as Obama winning in November will be. They both spun sets after the talk. But, being old, we were forced to head home early.

Tuesday, February 5, 2008

Arrivals and Departures


Last Saturday found Liz and I on our way back to the Reynolds Theater in Duke’s Bryan Center for the second event in Duke performance’s Soul Power Series, King Britt and the Sylk 130 Collective. King Britt played a pleasant DJ set while we were waiting for the show proper to begin. Then the houselight came down and the band came to the stage: a guitarist, a guy on the electric bass, a professional skateboarder on the drum kit, someone manning the keys, all topped off with a cornetist. After they played a couple instrumentals, the four female vocalists—featuring Jaguar Wright and her cousing Lady Alma Horton—were introduced. It was billed as “A Tribute to Philly Soul,” but fortunately is was anything other than a nostalgic gesture. Of course, they covered the requisite Gamble and Huff covers, but they also did a number of more contemporary tunes, highlighted by Lady Alma’s performance of 4hero’s “Hold It Down” (a band, by the way, from London and a track off an album that is available as an import only). So thanks to King Britt and crew for a wonderful show, and for stretching the definition of “Philly Soul”!

This weekend, on the contrary, we stayed in—which isn’t to say we weren’t busy, Saturday we were cooking up a storm in preparation for our Super Bowl/Housewarming party. The event went off without a hitch, as us and seven guests enjoyed good food (starring a wicked ginger pomegranate punch and our signature homemade gourmet pizzas), a cozy fire in our stupendous Rais Firebox, and a game—the greatness of which I’m appreciating only in retrospect. Let’s just say I’m not exactly a Giants fan. But the last drive was pretty amazing.


This Thursday will find as at Duke’s Nasher exhibit for the opening of Barkley Hendrick’s “Birth of the Cool” exhibit. Things kick off at 7 PM, with a talk by the artist. A DJ set by local phenom 9th Wonder will follow.

Saturday, January 26, 2008

At Long Last

I know, I know. In my last entry, I promised to be more prompt with my posts. And here it’s been over a week since making that pledge. Here’s the thing: while at the time I was cognizant of the fact that finally being settled would potentially give me more time to dedicate to this blog, I overlooked that it would also allow me to achieve the degree of concentration I need in order to work on my dissertation. So, that’s ended up taking up much more time than I imagined and it bodes to do so in the future as well. But, please bear with me. I will be posting as regularly as I can and sincerely hope to keep you reading.

And, on top of the dissertation, I’ve also been kept busy sampling the cultural cornucopia that is the Durham arts scene.




Last Friday, Liz and I showed up with our shiny prepurchased tickets in hand for the Durham debut of the supposedly “final” director’s cut of Blade Runner at the Carolina. Always a great place to see a film, and worth the price of admission to finally see this film on the big screen. That being said, I found very little difference between this version and the last director’s cut that was released a handful of years ago. If I’m correct, one of the few additions were shots of an eye reflecting the cityscape panned over during the title sequence, which was a nice touch.

Then again, there was a certain je ne c’est quoi about seeing Blade Runner this time, that wasn’t there during my privious viewings of the film. It’s like I finally got it, saw all the intricacies of Ridley Scott’s artistry. Long story short: I at long last find what I had previously taken to be the ridiculous notion that Deckard is a replicant to be rather compelling after all.


The following evening we saw the Dr. Lonnie Smith Trio—with special guests Lou Donalson, David “Fathead” Newman, and Houston Person—play to a capacity crowd at Duke’s Reynold’s theater. Smith is an organist extraordinaire, who got his start in Donaldson’s band, and their rendition of “Alligator Boogaloo” was—along with a cover of a Meter’s tune with Person on tenor—was one of the show’s highlights. The event was part of Duke Performances’s Soul Power series:

http://dukeperformances.duke.edu/programs/soulpower/

I’ll be posting on a number of the upcoming events in thios program, and encourage everyone to check it out.

Friday, January 11, 2008

Oh, Hi . . . Oh






I know, I know. It's been like forever since I wrote a proper post. But, really, truthfully, the delay is not my fault. Nor is it the fault of my new friend, The Bottomless Daiqueri Girl. The true culprit here is Ohio. That's right, I said it. The entire state of Ohio. J'accuse.

As you may or may not know, Liz and I spent the Holidays in Chicago. Delightful as always. Since we brought the dogs, we drove. On the way there, we took our regular route: West through Virginia, West Virginia, and Kentucky; then North through Indiana. On the way back, however, both Mapquest and Google Maps had us cutting a diagonal through Ohio.

Not ones to quibble with gigantic electronic minds, we decided to follow directions even though they involved diverging from the comfy confines of the Interstate to brave the unexplored reaches of various State Routes. Ohio State Routes, to be precise.

It seemed as if we would never escape Ohio. Now, granted I was suffering from a wicked cold at the time, I could of sworn we were driving in circles, stuck behind a van going 40 on a two-lane country highway. I thanked my lucky stars once we finally crossed into the relative civilization of West Virginia.

Despite the perceived circuitousness, however, we ended up making it back to Durham an hour earlier than our previous record time. I had the sneaking suspicion, though, that Ohio would once again rear its ugly head to exact its revenge.

Who would of guessed it would happen in New Orleans.

After touching down for a couple days, we were off again to the Big Easy, where Liz had an Economists Convention to attend. Only after we arrived did we realize that our visit coincided with the BCS Title Game.

There were two types of people staying at our hotel: Economists and Ohio State Fans. Well, and me.

Once it got out that I was a Michigan alum, I was done for. I was swept up in a sea of read, born aloft by a crowd of ruddy-faced Midwesterners chanting "one of us, one of us" to that alternate universe called Bourbon Street.









They forced me to drink Bottomless Daiquiris. The made me agree that doing so was not in fact a paradox. They beat me with their Buckeye-beaded lanyards until I confessed, against my will obviously, that the OSU Athletics Department wasn't an utterly corrupt institution.

And I live to tell the tale thanks to the Bottomless Daiquri Girl.

Finished with her shift, she took pity on me and spirited me away. We zigged left, then right, making our way to the more sedate confines of Decatur Street. It was there that I found sanctuary in this quite wonderful record store:



To add to my good fortune, Willie Nelson was playing a three day gig across the street at the House of Blues:







He and his entourage ran inteference for me. Threw up a smoke-screen, if you catch my drift.

So that's where I've been until now. Hidden in the basement of this fabulous record store:






deep in the French Quarter of New Orleans.

Honest to goodness.


But now I'm back with further tales from the Trinity Lofts. In the coming weeks, I'll also be pursuing the secondary aim of this blog: keeping tabs on the local arts scene. Keep you eyes peeled for my coverage of the Duke Performance's Soul Power series and the new Barkley Hendricks exhibition at the Nasher.


For now, let's say goodbye to the Bottomless Daiquiri girl.



Friday, December 21, 2007

Fa La La La La (La La La La)



I deeply regret to inform you that for the next couple weeks I will be far too busy noshing on latkes, sugar plums, and figgy pudding to compose proper posts. After the holidays, however, I will return in full force.

In the meantime, I suggest that you (like I) enjoy the righteous sounds of Sahwn Lee's Ping Pong Orchestra's A Very Ping Pong Christmas-Funky Treats from Santa's Bag.

Friday, December 14, 2007

A Walk on the Mild Side

A few days ago Hubris was feeling a little grumpy.



Most of the time he wouldn't even look at me.



Even Nemesis (our amazing half-black-lab/half lemur hybrid), who is known far and wide for having a perpetual mischievious gleam in her eyes,


was looking disturbingly docile, if not downright dour.


Given the situation, and it being an unseasonably warm December day, I decided to take them on a walk to meet Liz at the bus stop on Duke's East Campus, the destination of her commute home from work. It was late-afternoon, after most of the construction workers who are finishing the uninhabited units were gone.

I took the Trinity Street exit and began walking west. A few steps along the way, I noticed a suspicious-looking pickup idling in our lower parking lot, next to the old railway station covered with orange tin siding. I kept it in my peripheral vision as I passed, when low-and-behold its lights turned on and it began following me.

"Hey, 227," someone yelled, that being the number of our unit. I stopped and turned, to find a worker I recognized leaning out of the driver's side window of the aforementioned pickup. He told me he was concerned for my safety, that if I wandered a few blocks in any direction at that time of day I was asking to be mugged.

His intentions, I'm sure, were good. Nevertheless, I was somewhat suspicious that his perception of the area's danger wouldn't jibe with actual crime statistics. Somewhat peeved that he assumed I was either ignorant or couldn't take care of myself, I assured him that the hallowed grounds of of Trinity Park were literally steps away, and continued on my way.

Little did I know what lay in store from me.

Seemed the Trinity Park Homeowner's Association had formed a roving posse, on the streets 24/7 on the lookout for what they call "undesirables."

As soon as they saw me the set upon me, hurling invective about newbies encroaching upon their sacred territory. You would've thought I'd just proposed a perfectly reasonable plan to redevelop the vacant Eye and Ear Hospital on Main Street!

Fortunately, like Veronica Mars, I came equipped with my trusty canine backup. You might not guess it by looking at them, but though they possess gentle souls Hubris and Nemesis have been known to partake in a scrape or two.

In addition to insults, the Trinity Parkers were flinging these strange projectile cudgels made out of a spaceage polymer at us. The dogs were unfazed. So much so, that Nemesis brought one home to keep as a toy.


The angry mob rushed us, but the dogs were up for the challenge. They mauled every middleaged Hausfrau that came at them, until soon enough our adversaries realized that they had bit off a bit more than they could chew and retreated, promising us that we may have won the battle but they would win the war.

I replied that knowing is half the battle, but they had no idea what I was talking about, and limped off annoyed and confused.

(As a bystander, I took some pictures of the fight between my dogs and the Trinitites, but alas they are too graphic to display on this site.)

We proceeded to meet Liz and made our way home, where the pups staged a dramatic reenactment of the melee she'd missed, using a stray Hausfrau femur as a prop. (Here, you may need to be aware of a little-known point of canine cosmology. Dogs live in a One-Bone Universe. One minute, they'll each be enjoying their own bone. Then, they'll look up and see that the other has a bone too. Their minds are boggled, as they wonder how the other got The Bone when they just had it. They regain composure and set off to reclaim The Bone. Long story short, a bone almost certainly sparks conflict, thus serving as an ideal aid for reenacting an epic battle.)



Carried away by the moment, the pups forget the seriousness of their dramatic endeavor and transition into yet another bout of their patented playfighting, the cleverest move of which (in their minds) involves (oddly enough) rolling over onto one's back.






At long last, Hubris was happy.





And Nemesis gnawed contentedly on the trophy of a well-fought battle.



(PS: Everything except my interchange with the construction worker and the quotidian details of canine existence is, of course, completely untrue. It merely serves as an elaborate excuse to, as a potential reader requested, post some pictures of the pups.)





Friday, December 7, 2007

Waxing Polemic

Among his many assists along the way of getting this blog of mine off the ground, Kevin from Bull City Rising directed my attention to an entry on Blazer Manpurse's unfortunately defunct Bullsh@t (http://bullshat.wordpress.com/2007/04/10/if-you-build-it-they-will-come/) that is similar in concept to my first post, and from which the above image is borrowed. I hadn't read the piece (and was in fact completely ignorant of Manpurse's blog) before writing my own. At this point, I'm wont to chalk it up as further evidence that great minds think alike.

Upon first reading this phantom prefiguration, most likely due to being gripped by a not entirely conscious fit of creative competitiveness, I found that it rubbed me the wrong way. At the time I decided to let it go. But a few days ago, after starting the day off by drinking a big glass of Haterade, I felt compelled to issue a brash response. Nevertheless, I decided to wait a few days to let my jets cool before writing anything I would regret.

The upshot was that upon rereading Manpurse's post, I found it much less offensive than I did initially. He and I most certainly have quite different, if at times compatible, senses of humor. As a staunch pluralist, I'm committed to the recognition and cultivation of such tempermental variety. And, upon noticing that he appended the acronym BFA to his digital signature, I felt more willing to consider the possibility that he includes himself within the category of "creative class" that he so viciously satirizes rather than positing a Manichean in-group/out-group divide. Such gestures of self-referentiality are exactly what differentiates simple-minded fratboy joshing from the complex art form of parody.

There are still a couple of things that stick in my maw, most superficially the spurious suggestion that Porche ownership is correlated with shopping at Trader Joe's. More importantly, however, at times Manpurse seems to be mocking not only certain questionable details of the Trinity Loft's marketing materials, but the very concept itself. In general, his swipes at redevelopment seem to suggest the impossibility that it could be done self-critically, which to me is as dangerous as pursuing it uncritically insofar at it likewise rules out the potential of positive growth.

But, all this aside, upon second reading I discovered that what bugged me was not so much Manpurse's piece itself but rather a response posted by one "Dead Bastard," which seems to embrace the divisive and nihilistic tendencies that Manpurse merely flirts with. As a dyed-in-the-wool postliberal progressive, it seems utterly backward to me to define "progress," as Dead Bastard does, as "getting dumb yuppies to spend idgit money on squat."

For the time being I'll let the infantile name calling go. What warrants comment is a certain view, which we have come across in different quarters as well: namely, that a smaller, well designed, and genuinely aesthetically pleasing dwelling could be of equal value to a cookie-cutter McMansion on an acre of water-guzzling grass. Even beyond issues of taste, there is the very practical matter that occupying a larger home than you actually need has environmentally disasterous consequences. Besides, I for one cringe at the idea of yard work, so a smaller plot is a plus rather than a minus.

There are further points of rebuttal I could issue, but for now I'll merely summarize my argument in terms Dead Bastard, whoever he may be, may be more likely to understand. Say what you want, my friend, but ten years from now we'll be able to sell our loft to dumber yuppies than us for considerably more than we paid for it. Now you can either see that as progress, as a sign of the increased viability of a Durham resurgence, or you can view it as today's sign that the apocalypse in imminent. It's no secret that I would back the former option.

I'd love to write more, but if you'll excuse me I have to go refill Dead Bastard's mom's water bowl.